Der Garten als Raum

Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Maison à Lège
Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998
University of Arts & Human Sciences
University of Arts & Human Sciences Lacaton & Vassal, Grenoble, Frankreich, 2001
University of Arts & Human Sciences
University of Arts & Human Sciences Lacaton & Vassal, Grenoble, Frankreich, 2001
University of Arts & Human Sciences
University of Arts & Human Sciences Lacaton & Vassal, Grenoble, Frankreich, 2001
Penguin Pool, the London Zoo
Penguin Pool, the London Zoo Berthold Lubetkin, London, England, 1934
Fallen Billboard
Fallen Billboard New York, 2000, Foto: Joel Sternfeld
Town and country must be married, and out of this joyous union will spring a new hope, a new life, a new civilisation.
Ebenezer Howard
Zollverein School of Management and Design
Zollverein School of Management and Design Sanaa, Essen, Deutschland, 2006, Foto: Walter Niedermayr
Grape Hyacinth
Grape Hyacinth New York, 2000, Foto: Joel Sternfeld
Denn es ist die Beweglichkeit und Unberechenbarkeit jener winziger Wirklichkeiten, die dem Menschen Freiheit verschafft und die das Neue zumindest potentiell ermöglicht.
Olafur Eliasson
Schloss Schönbrunn Ruine
Schloss Schönbrunn Ruine Johann Ferdinand Hetzendorf von Hohenberg, Wien, 1987, Foto: Margherita Spiluttini
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002
Was als Spannung zwischen Innen und Außen erscheint, meint im Wesentlichen die Beziehung zwischen dem Sichtbaren und dem Unsichtbaren.
Heinz Liesbrock
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
Falling Water
Falling Water Frank Lloyd Wright, Allegheny Mountains, Pennsylvania, 1937
Falling Water
Falling Water Frank Lloyd Wright, Allegheny Mountains, Pennsylvania, 1937
Falling Water
Falling Water Frank Lloyd Wright, Allegheny Mountains, Pennsylvania, 1937
A place of submission, of refuge, of sanctuary and of looking inwards for hidden treasures.
Jane Brown
Peristyle garden with a succession of ornamental fish ponds, Pompeii
Peristyle garden with a succession of ornamental fish ponds, Pompeii Kampanien, Italien, 1. Jt. v. Chr., Annette Giesecke
Wohnraum aus einem Haus in Kairo mit erhöhten Sitznischen in den auskragenden Erkern der "Muschrabîyas"
Wohnraum aus einem Haus in Kairo mit erhöhten Sitznischen in den auskragenden Erkern der "Muschrabîyas"
Le Jardin Sauvage du Palais de Tokyo
Le Jardin Sauvage du Palais de Tokyo Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Le Jardin Sauvage du Palais de Tokyo Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Le Jardin Sauvage du Palais de Tokyo Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Le Jardin Sauvage du Palais de Tokyo Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Le Jardin Sauvage du Palais de Tokyo Atelier Le Balto, Paris, Frankreich, 2002
Wolseong-Dong, Gyeong Ju, 2007, Foto: Thomas Struth
Museum of Modern Art (MOMA), Sculpturegarden
Museum of Modern Art (MOMA), Sculpturegarden Edward Durell Stone & Philip Goodwin, New York City, 1939
Museum of Modern Art (MOMA), Sculpturegarden
Museum of Modern Art (MOMA), Sculpturegarden Edward Durell Stone & Philip Goodwin, New York City, 1939
Museum of Modern Art (MOMA), Sculpturegarden
Museum of Modern Art (MOMA), Sculpturegarden Edward Durell Stone & Philip Goodwin, New York City, 1939
Museum of Modern Art (MOMA), Sculpturegarden
Museum of Modern Art (MOMA), Sculpturegarden Edward Durell Stone & Philip Goodwin, New York City, 1939
Alfred Hitchcock on the set of "Rear Window"
Alfred Hitchcock on the set of "Rear Window" 1954
Alfred Hitchcock on the set of "Rear Window"
Alfred Hitchcock on the set of "Rear Window" 1954
Looking South from 33rd Street, Fog Lifting
Looking South from 33rd Street, Fog Lifting New York, 2000, Foto: Joel Sternfeld
Wir erkennen, dass die Dinge selbst die Orte sind und nicht nur an einen Ort gehören.
Martin Heidegger
Atelier Bisque Doll
Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010
Atelier Bisque Doll
Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010
Atelier Bisque Doll
Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010
Atelier Bisque Doll
Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010
Atelier Bisque Doll
Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010
Atelier Bisque Doll
Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010
Charles Eames
"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.
Typisches Hofdetail eines aleppinischen Hauses
Typisches Hofdetail eines aleppinischen Hauses
Kenroku-en Garden
Kenroku-en Garden Kanazawa, Japan, 1620-1840
Kenroku-en Garden
Kenroku-en Garden Kanazawa, Japan, 1620-1840
House in Kita-Kamakura
House in Kita-Kamakura Sanaa, Kanagawa, Japan, 2009 (nicht realisiert)
Blumen blühen den Menschen zur Freude. Ich male sie im Sommer, tragend die Freude in den Winter.
Emil Nolde