Aerial view of the garden and east front of Hadham Hall, nineteenth-century copy after a drawing of 1649
Botanical Gardens of Barcelona
Carlos Ferrater, Barcelona, Spanien, 1999, + 2005, Foto: Pedro Kok
Wir hätten gerne, dass Architektur den Menschen überlassen bleibt. In mir nagt der Zweifel: Bildet Architektur aus sich heraus einen totalitären Raum? Wenn man einen Raum entwirft, gestaltet man dann auch notwendigerweise das Verhalten der Menschen in diesem Raum? Ich hätte gerne, dass wir das Gegenteil tun.
Vito Acconci
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
Der Moghul-Herrscher Bâbûr bei der Anlage eines Paradiesgartens
Moghulische Miniatur um 1600
Roof House
Tezuka Architects, Kanagawa, Japan, Katsuhisa Kida, Foto: 2001
U-House
Toyo Ito, Tokio, Japan, 1976
Track Crossing
New York, 2000, Foto: Joel Sternfeld
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.
Ailanthus Trees, 25th Street
New York, 2000, Foto: Joel Sternfeld
Haus Rang
Richard Neutra, Königstein, Taunus, 1961
Vorgärten in Cookham
Sir Stanley Spencer, 1936
Oxonia Illustra, Plan of the Physic Garden
David Loggan, Oxford, England, 1975
A Railroad Artifact, 30th Street
New York, 2000, Foto: Joel Sternfeld
Ise Gropius relaxing on the second floor terrace of the Walter Gropius House
Walter Gropius, Lincoln, Massachusetts, 1938, Foto: Robert Damora, 1948
Loop, Installation im tschechischer und slovakischer Pavillon
Roman Ondak, Biennale Venedig, 2009
Peter Zumthor in his studio
Shulman House and Studio
Raphael Soriano, Los Angeles, Kalifornien, 1950, Foto: Julius Shulman
Shulman House and Studio
Raphael Soriano, Los Angeles, Kalifornien, 1950, Foto: Julius Shulman
Serpentine Gallery Pavilion
Sanaa, London, England, 2009
Serpentine Gallery Pavilion
Sanaa, London, England, 2009
Serpentine Gallery Pavilion
Sanaa, London, England, 2009
Wohnraum aus einem Haus in Kairo mit erhöhten Sitznischen in den auskragenden Erkern der "Muschrabîyas"
LookingWest on 30th Street on a September Evening
New York, 2000, Foto: Joel Sternfeld
Looking East on 30th Street on a Late September Morning
New York, 2000, Foto: Joel Sternfeld
Typisches Hofdetail eines aleppinischen Hauses
Looking South towards Chelsea Market
New York, 2000, Foto: Joel Sternfeld
Kenroku-en Garden
Kanazawa, Japan, 1620-1840
Kenroku-en Garden
Kanazawa, Japan, 1620-1840
Schloss Schönbrunn Ruine
Johann Ferdinand Hetzendorf von Hohenberg, Wien, 1987, Foto: Margherita Spiluttini
NA House
Sou Fujimoto, Tokio, Japan, 2012
A Peach Tree
New York, 2000, Foto: Joel Sternfeld
House in Plum Grove
Kazuyo Sejima, Setagaya-Ku, Tokio, 2003, Foto: Walter Niedermayr
House in Plum Grove
Kazuyo Sejima, Setagaya-Ku, Tokio, 2003, Foto: Walter Niedermayr