Der Garten als Raum

Japanischer Pavillon auf der Biennale Junya Ishigami, Venedig, 2008

Serpentine Gallery Pavilion Sanaa, London, England, 2009

Gärten in der Avenida Madederos in Tacubaya Mexico Stadt, 1943, Jérôme Habersetzer

Haus Gálvez, der Eingangshof Louis Barragán, Mexico City, 1955, Foto: Danièle Pauly

Das große Rasenstück Albrecht Dürer, 1503

Loop, Installation im tschechischer und slovakischer Pavillon Roman Ondak, Biennale Venedig, 2009

Villa Vals SeARCH und CMA, Vals, Schweiz, 2009, Foto: Iwan Baan

Looking South from 33rd Street, Fog Lifting New York, 2000, Foto: Joel Sternfeld

House & Garden Ryue Nishizawa, Tokyo, Japan, 2011, Foto: Iwan Baan

In the Peristyle John William Waterhouse, 1849-1917

Fuji Kindergarden Tezuka Architects, Tachikawa, Tokio, 2007

A Railroad Artifact, 30th Street New York, 2000, Foto: Joel Sternfeld

Wir erkennen, dass die Dinge selbst die Orte sind und nicht nur an einen Ort gehören.

Martin Heidegger

Blumengarten in Weißenkrichen Emil Jakob Schindler, 1879

Singleton House Richard Neutra, Los Angeles, Kalifornien, 1960, Foto: Julius Shulman

Klostergarten in Assisi August von Pettenkofen, um 1860

Paradiesgärtlein Oberrheinischer Meister, 1410-20

A Path in The Forest Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, 2011

Villa Noailles Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929

Liebesgarten mit Schachspielern Meister E.S., um 1460

Looking South on a May Evening (the Starrett-Lehigh Building) New York, 2000, Foto: Joel Sternfeld

Luis Barragán im Innenhof der Acequia in der Alhambra Granada, Spanien, 1924

Teshima Art Museum Ryue Nishizawa & and Rei Naito, Teshima Island, 2010

Teshima Art Museum Ryue Nishizawa & and Rei Naito, Teshima Island, 2010, Foto: Noboru Morikawa

House in Kita-Kamakura Sanaa, Kanagawa, Japan, 2009 (nicht realisiert)

Museum of Modern Art (MOMA), Sculpturegarden Edward Durell Stone & Philip Goodwin, New York City, 1939

"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.

Maison à Lège Lacaton & Vassall, Cap Ferret, Frankreich, 1998

Hartwell House, Axial view of the canal from the south, showing Gibbs's temple at the end of the canal, the house and topiary alleys on the west side Balthasar Nebot, 1738

Looking East on 30th Street on a Late September Morning New York, 2000, Foto: Joel Sternfeld

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