Der Garten als Raum

Garden House Takeshi Hosaka Architects, Kanagawa, Japan, 2007

7000 Eichen Joseph Beuys, Documenta 7, Kassel, 1982

Garden & House Sanaa, Tokio, Japan, 2011

Loop, Installation im tschechischer und slovakischer Pavillon Roman Ondak, Biennale Venedig, 2009

Tudor badges in a hortus conclusus of the Tudor dynasty 1516

Benetton Building Sou Fujimoto, Teheran, 2009 (nicht realisiert)

Wolseong-Dong, Gyeong Ju, 2007, Foto: Thomas Struth

Atelier Bisque Doll UID Architects, Osaka, Japan, Foto: 2010

House A Sanaa, Tokio, Japan, 2006

Paradiesgärtlein Oberrheinischer Meister, 1410-20

Jardines Yu-Xi Sanaa, Taipei, Taiwan, 2008

EggO House A69 Architects, Prag, Tschechien, 2008

Teshima Art Museum Ryue Nishizawa & and Rei Naito, Teshima Island, 2010

Teshima Art Museum Ryue Nishizawa & and Rei Naito, Teshima Island, 2010, Foto: Noboru Morikawa

Aquino House Augusto Fernandesz Mas, Cuernavas, Morelos, Mexico, 2006

Central Park Andrew Jackson Downing, New York City, 1873

An untended garden quickly becomes nature's payback Foto: Donald Dunham

Garden House Sou Fujimoto, Tochigi, Japan, 2011

Falling Water Frank Lloyd Wright, Allegheny Mountains, Pennsylvania, 1937

Barcelona-Pavillon Mies van der Rohe, Barcelond, Spanien, 1929

Border Crossing Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005

Römische Bäder und Gärtnerhaus Karl Friedrich Schinkel, Potsdam, 1826

Verführung im Garten, aus Martinus Opifex, Tacuinum Sanitatis

Upper Lawn Pavillion Alison and Peter Smithson, Tisbury, Wiltshire, England, 1962

Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr

Schnittblumengarten des Sakristans in der Abbaye de Notre-Dame Le Bec Hellouin, Frankreich

Duffield’s Lincoln Mercury Showroom Killingsworth, Brady and Smith architects, Long Beach, Los Angeles, 1963, Foto: Julius Shulman

In the Peristyle John William Waterhouse, 1849-1917

Frey House II Albert Frey, Palm Springs, Kalifornien, 1964, Foto: Julius Shulman

Wohnraum aus einem Haus in Kairo mit erhöhten Sitznischen in den auskragenden Erkern der "Muschrabîyas"

"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.

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