Der Garten als Raum

Central Park Andrew Jackson Downing, New York City, 1873

Border Crossing Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005

Garden House Sou Fujimoto, Tochigi, Japan, 2011

Grape Hyacinth New York, 2000, Foto: Joel Sternfeld

Serpentine Gallery Pavilion Sanaa, London, England, 2009

Wir erkennen, dass die Dinge selbst die Orte sind und nicht nur an einen Ort gehören.

Martin Heidegger

Teshima Art Museum Ryue Nishizawa & and Rei Naito, Teshima Island, 2010

Teshima Art Museum Ryue Nishizawa & and Rei Naito, Teshima Island, 2010, Foto: Noboru Morikawa

Beispiel einer iranischen Säulenvorhalle, Blick aus dem Thronsaal des "Pavillons der vierzig Säulen" (Tschehel Sutun) in die Palastgärten von Isfahan nach einem Stich von E. Flandin, um 1840

Peach Blossom Spring, detail Qui Ying, 1494-1552

Upper Lawn Pavilion Alison and Peter Smithson, West Tisbury, England, 1962

Tapisserie Dame mit dem Einhorn 1480-1500

LookingWest on 30th Street on a September Evening New York, 2000, Foto: Joel Sternfeld

Looking South on a May Evening (the Starrett-Lehigh Building) New York, 2000, Foto: Joel Sternfeld

The indistinction of inside and outside leads to the discovery of another dimension.

Deleuze & Guattari

Gartenszene mit einem Pflanztisch, aus Martinus Opifex, Tacunimum Sanitatis

"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.