Der Garten als Raum
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
Apfelhaus
Konstantin Kirsch
A Path in The Forest
Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, 2011
A Path in The Forest
Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, 2011
Penguin Pool, the London Zoo
Berthold Lubetkin, London, England, 1934
Peter Zumthor in his studio
House KN'
Kochi Architects Studio, Miura City, Kanagawa, Japan, 2006, Foto: Nobumitsu Watanabe
Day Care Center
Sanaa, Yokohama, Kanagawa, 2000, Foto: Walter Niedermayr
Day Care Center
Sanaa, Yokohama, Kanagawa, 2000, Foto: Walter Niedermayr
House Bordeaux
Lacaton & Vassal, Bordeaux, Frankreich, 1999
House Bordeaux
Lacaton & Vassal, Bordeaux, Frankreich, 1999
Frey House II
Albert Frey, Palm Springs, Kalifornien, 1964, Foto: Julius Shulman
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Alfred Hitchcock on the set of "Rear Window"
1954
Alfred Hitchcock on the set of "Rear Window"
1954
Gärten in der Avenida Madederos in Tacubaya
Mexico Stadt, 1943, Jérôme Habersetzer
Hartwell House topiary arcades and allée to the William III Column
Balthasar Nebot, 1738
Wir erkennen, dass die Dinge selbst die Orte sind und nicht nur an einen Ort gehören.
Martin Heidegger
Beispiel einer iranischen Säulenvorhalle, Blick aus dem Thronsaal des "Pavillons der vierzig Säulen" (Tschehel Sutun) in die Palastgärten von Isfahan
nach einem Stich von E. Flandin, um 1840
LookingWest on 30th Street on a September Evening
New York, 2000, Foto: Joel Sternfeld
Was als Spannung zwischen Innen und Außen erscheint, meint im Wesentlichen die Beziehung zwischen dem Sichtbaren und dem Unsichtbaren.
Heinz Liesbrock
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Haus Cristo
Louis Barragán, Guadalajara, 1929, Foto: Ignazio Gomez Galado
Fallen Billboard
New York, 2000, Foto: Joel Sternfeld
Looking East on 30th Street on a Late September Morning
New York, 2000, Foto: Joel Sternfeld
Blumengarten in Weißenkrichen
Emil Jakob Schindler, 1879
Shibaura Building
Kazuyo Sejima and Associates, Tokio, Japan, 2011
Shibaura Building
Kazuyo Sejima and Associates, Tokio, Japan, 2011
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
The Highline
Joel Sternfeld, New York, 2000
"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.
Blumen blühen den Menschen zur Freude. Ich male sie im Sommer, tragend die Freude in den Winter.
Emil Nolde
Museum of Modern Art (MOMA), Sculpturegarden
Edward Durell Stone & Philip Goodwin, New York City, 1939
Museum of Modern Art (MOMA), Sculpturegarden
Edward Durell Stone & Philip Goodwin, New York City, 1939
Museum of Modern Art (MOMA), Sculpturegarden
Edward Durell Stone & Philip Goodwin, New York City, 1939
Museum of Modern Art (MOMA), Sculpturegarden
Edward Durell Stone & Philip Goodwin, New York City, 1939
House in Kita-Kamakura
Sanaa, Kanagawa, Japan, 2009 (nicht realisiert)