Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Courtsey of Friends of the Highline
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Goan Gavin
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Iwan Baan
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Marcin Wichary
Highline
Diller Scofidio + Renfro, Piet Oudolf, New York, 2009, Foto: Mandee Johnson, John Korpics
Looking South at 27th Street
New York, 2000, Foto: Joel Sternfeld
Maharaja Jaswant Singh I at a Music Performance during a Monsoon
Jodhpur, ca. 1670
Wir erkennen, dass die Dinge selbst die Orte sind und nicht nur an einen Ort gehören.
Martin Heidegger
Bibliothèque National de France
Dominique Perrault, Paris, 1996
Bibliothèque National de France
Dominique Perrault, Paris, 1996, Foto: Thomas Fadrus
Bibliothèque National de France
Dominique Perrault, Paris, 1996, Foto: Thomas Fadrus
Seijo Town Houses
Sanaa, Tokio, Japan, 2007
Seijo Town Houses
Sanaa, Tokio, Japan, 2007
Seijo Town Houses
Sanaa, Tokio, Japan, 2007
Seijo Town Houses
Sanaa, Tokio, Japan, 2007
Looking East on 30th Street on a Late September Morning
New York, 2000, Foto: Joel Sternfeld
Central Park
Andrew Jackson Downing, New York City, 1873
Central Park
Andrew Jackson Downing, New York City, 1873
Haus Cristo
Louis Barragán, Guadalajara, 1929, Foto: Ignazio Gomez Galado
Haus Gálvez, der Eingangshof
Louis Barragán, Mexico City, 1955, Foto: Danièle Pauly
A place of submission, of refuge, of sanctuary and of looking inwards for hidden treasures.
Jane Brown
Alfred Hitchcock on the set of "Rear Window"
1954
Alfred Hitchcock on the set of "Rear Window"
1954
Gardens in the area of Moorgate and Bishopsgate, a section of the so-called Copper-plate map of London
1553-59
Gardens in the area of Moorgate and Bishopsgate, a section of the so-called Copper-plate map of London
1553-59
House N
Sou Fujimoto, Oita, Japan, 2008
House N
Sou Fujimoto, Oita, Japan, 2008
House N
Sou Fujimoto, Oita, Japan, 2008
House N
Sou Fujimoto, Oita, Japan, 2008
House N
Sou Fujimoto, Oita, Japan, 2008
House N
Sou Fujimoto, Oita, Japan, 2008
House N
Sou Fujimoto, Oita, Japan, 2008
Ken Robson's Christmas Tree
New York, 2000, Foto: Joel Sternfeld
Serpentine Gallery Pavilion
Sanaa, London, England, 2009
Serpentine Gallery Pavilion
Sanaa, London, England, 2009
Serpentine Gallery Pavilion
Sanaa, London, England, 2009
Kaufmann Desert House
Richard Neutra, Palm Springs, Kalifornien, 1946
Tapisserie Dame mit dem Einhorn
1480-1500
The indistinction of inside and outside leads
to the discovery of another dimension.
Deleuze & Guattari
Border Crossing
Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005
Border Crossing
Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005
Prinzessinnengarten
Berlin, 2011
Prinzessinnengarten
Berlin, 2011
Prinzessinnengarten
Berlin, 2011
Prinzessinnengarten
Berlin, 2011
Prinzessinnengarten
Berlin, 2011
Prinzessinnengarten
Berlin, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, England, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, England, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, England, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, England, 2011
Day Care Center
Sanaa, Yokohama, Kanagawa, 2000, Foto: Walter Niedermayr
Day Care Center
Sanaa, Yokohama, Kanagawa, 2000, Foto: Walter Niedermayr
Kenroku-en Garden
Kanazawa, Japan, 1620-1840
Kenroku-en Garden
Kanazawa, Japan, 1620-1840
Blumen blühen den Menschen zur Freude. Ich male sie im Sommer, tragend die Freude in den Winter.
Emil Nolde
Emilai im Burggärtlein, zu Boccaccios Teseida, aus einer französischen Handschrift
University of Arts & Human Sciences
Lacaton & Vassal, Grenoble, Frankreich, 2001
University of Arts & Human Sciences
Lacaton & Vassal, Grenoble, Frankreich, 2001
University of Arts & Human Sciences
Lacaton & Vassal, Grenoble, Frankreich, 2001
Verführung im Garten, aus Martinus Opifex, Tacuinum Sanitatis
Zollverein School of Management and Design
Sanaa, Essen, Deutschland, 2006, Foto: Walter Niedermayr
Track Crossing, Snow
Joel Sternfeld, New York, 2000