Der Garten als Raum
LookingWest on 30th Street on a September Evening
New York, 2000, Foto: Joel Sternfeld
Atelierhaus
Roland Rainer, St.Margarethen, Österreich, 2002, Foto: Margherita Spiluttini
Hartwell House topiary arcades and allée to the William III Column
Balthasar Nebot, 1738
Charles Eames
Paradiesgärtlein
Oberrheinischer Meister, 1410-20
VDL Research House
Richard Neutra, Silver Lake, Los Angeles, 1966, Foto: Julius Shulman
Singleton House
Richard Neutra, Los Angeles, Kalifornien, 1960, Foto: Julius Shulman
Singleton House
Richard Neutra, Los Angeles, Kalifornien, 1960, Foto: Julius Shulman
Le Jardin Sauvage du Palais de Tokyo
Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Atelier Le Balto, Paris, Frankreich, 2002
Le Jardin Sauvage du Palais de Tokyo
Atelier Le Balto, Paris, Frankreich, 2002
Penguin Pool, the London Zoo
Berthold Lubetkin, London, England, 1934
Looking East on 30th Street on a Morning in May
New York, 2000, Foto: Joel Sternfeld
Typisches Hofdetail eines aleppinischen Hauses
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Römische Bäder und Gärtnerhaus
Karl Friedrich Schinkel, Potsdam, 1826
A place of submission, of refuge, of sanctuary and of looking inwards for hidden treasures.
Jane Brown
Peter Zumthor in his studio
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
Villa Noailles
Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929
A view towards the Hudson
New York, 2000, Foto: Joel Sternfeld
"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Kumagai House
Hiroshi Kuno + Associates, Sapporo City, Japan, 2009
Emilai im Burggärtlein, zu Boccaccios Teseida, aus einer französischen Handschrift
House H
Sou Foujimoto Architects, Tokio, Foto: 2009
House H
Sou Foujimoto Architects, Tokio, Foto: 2009
House H
Sou Foujimoto Architects, Tokio, Foto: 2009
Unité d'habitation
Le Corbusier, Marseille, Frankreich, 1952
Unité d'habitation
Le Corbusier, Marseille, Frankreich, 1952
In the Peristyle
John William Waterhouse, 1849-1917
Uferlandschaft
Rudolf Wacker, 1936
Office Building in Shibaura
Sanaa, Tokio, Japan, 2011
Friedhof Brion
Carlo Scarpa, San Vito d'Altivole, Italien, 1973, Foto: Guido Guidi
Friedhof Brion
Carlo Scarpa, San Vito d'Altivole, Italien, 1973, Foto: Guido Guidi
Oxonia Illustra, Plan of the Physic Garden
David Loggan, Oxford, England, 1975
Duffield’s Lincoln Mercury Showroom
Killingsworth, Brady and Smith architects, Long Beach, Los Angeles, 1963, Foto: Julius Shulman
Apfelhaus
Konstantin Kirsch
Border Crossing
Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005
Border Crossing
Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005