Der Garten als Raum

Willians House E. Stewart Williams, Palm Springs, Kalifornien, 1955, Foto: Julius Shulman

Das große Rasenstück Albrecht Dürer, 1503

Luis Barragán im Innenhof der Acequia in der Alhambra Granada, Spanien, 1924

Moriyama House Ruye Nishizawa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr

Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr

Maharaja Jaswant Singh I at a Music Performance during a Monsoon Jodhpur, ca. 1670

Oxonia Illustra, Plan of the Physic Garden David Loggan, Oxford, England, 1975

A view towards the Hudson New York, 2000, Foto: Joel Sternfeld

Kumagai House Hiroshi Kuno + Associates, Sapporo City, Japan, 2009

Schnittblumengarten des Sakristans in der Abbaye de Notre-Dame Le Bec Hellouin, Frankreich

Was als Spannung zwischen Innen und Außen erscheint, meint im Wesentlichen die Beziehung zwischen dem Sichtbaren und dem Unsichtbaren.

Heinz Liesbrock

Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr

Blumen blühen den Menschen zur Freude. Ich male sie im Sommer, tragend die Freude in den Winter.

Emil Nolde

Er legte sich hinter den Grashalm um den Himmel zu vergrößern!

Novel Bureau

A Path in The Forest Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, 2011

Looking East on 30th Street on a Morning in May New York, 2000, Foto: Joel Sternfeld

7000 Eichen Joseph Beuys, Documenta 7, Kassel, 1982

Hartwell House topiary arcades and allée to the William III Column Balthasar Nebot, 1738

Le Jardin Sauvage du Palais de Tokyo Atelier Le Balto, Paris, Frankreich, 2002

Border Crossing Office 15, Kersten Geers David van Severen, between Mexico and the US, 2005

House Before House Sou Fujimoto, Tochigi, Japan, 2008

Day Care Center Sanaa, Yokohama, Kanagawa, 2000, Foto: Walter Niedermayr

Town and country must be married, and out of this joyous union will spring a new hope, a new life, a new civilisation.

Ebenezer Howard

Highline New York, 1929-34

Highline New York, 1934

Villa Noailles Robert Mallet-Stevens, Hyères, Côte d’Azur, 1929

Klostergarten in Assisi August von Pettenkofen, um 1860

"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.

Shibaura Building Kazuyo Sejima and Associates, Tokio, Japan, 2011

21st Century Museum of Contemporary Art Sanaa, Kanazawa, Ishikawa, 2004, Foto: Walter Niedermayr

Moriyama House Sanaa, Ohta-ku, Tokio, Japan, 2002

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