21st Century Museum of Contemporary Art
Sanaa, Kanazawa, Ishikawa, 2004, Foto: Walter Niedermayr
Highline
New York, 1929-34
Highline
New York, 1934
Looking South at 27th Street
New York, 2000, Foto: Joel Sternfeld
Looking South from 33rd Street, Fog Lifting
New York, 2000, Foto: Joel Sternfeld
Wolseong-Dong, Gyeong Ju, 2007, Foto: Thomas Struth
Willians House
E. Stewart Williams, Palm Springs, Kalifornien, 1955, Foto: Julius Shulman
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Victoria regia House, Adelaide Botanic Garden
South Australia, 1876
Das große Rasenstück
Albrecht Dürer, 1503
Upper Lawn Pavillion
Alison and Peter Smithson, Tisbury, Wiltshire, England, 1962
Playground Laurierstraat
Aldo van Eyck, Amsterdam, 1956
Emilai im Burggärtlein, zu Boccaccios Teseida, aus einer französischen Handschrift
Moriyama House
Ruye Nishizawa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002, Foto: Walter Niedermayr
Peach Blossom Spring, detail
Qui Ying, 1494-1552
Peach Blossom Spring, detail
Qui Ying, 1494-1552
Roof House
Tezuka Architects, Kanagawa, Japan, Katsuhisa Kida, Foto: 2001
Haus Cristo
Louis Barragán, Guadalajara, 1929, Foto: Ignazio Gomez Galado
Dachterasse eines Hofhauses in Fes. In der Mitte der Ausschnitt des Innenhofes
Wir hätten gerne, dass Architektur den Menschen überlassen bleibt. In mir nagt der Zweifel: Bildet Architektur aus sich heraus einen totalitären Raum? Wenn man einen Raum entwirft, gestaltet man dann auch notwendigerweise das Verhalten der Menschen in diesem Raum? Ich hätte gerne, dass wir das Gegenteil tun.
Vito Acconci
House A
Sanaa, Tokio, Japan, 2006
House A
Sanaa, Tokio, Japan, 2006
House A
Sanaa, Tokio, Japan, 2006
House A
Sanaa, Tokio, Japan, 2006
House A
Sanaa, Tokio, Japan, 2006
VDL Research House
Richard Neutra, Silver Lake, Los Angeles, 1966, Foto: Julius Shulman
San Cristóbal Stables
Luis Barragán, Los Clubes, Mexiko City, 1968
San Cristóbal Stables
Luis Barragán, Los Clubes, Mexiko City, 1968
Haus Rang
Richard Neutra, Königstein, Taunus, 1961
A place of submission, of refuge, of sanctuary and of looking inwards for hidden treasures.
Jane Brown
Grape Hyacinth
New York, 2000, Foto: Joel Sternfeld
"He's gotten away from the soft pornography of the flower," said Charles Waldheim, the director of the landscape architecture program at the University of Toronto. "He's interested in the life cycle, how plant material ages over the course of the year," and how it relates to the plants around it. Like a good marriage, his compositions must work well together as its members age.
Garden House
Takeshi Hosaka Architects, Kanagawa, Japan, 2007
Garden House
Takeshi Hosaka Architects, Kanagawa, Japan, 2007
Garden House
Takeshi Hosaka Architects, Kanagawa, Japan, 2007
The Primitive Hut
Marc-Antoine Laugier, 1755
Track Crossing
New York, 2000, Foto: Joel Sternfeld
A view towards the Hudson
New York, 2000, Foto: Joel Sternfeld
In the Peristyle
John William Waterhouse, 1849-1917